Current location:HOME > Ludovic de Saint Sernin Fall 2025: Power Subversion

Ludovic de Saint Sernin Fall 2025: Power Subversion

2025-03-13 00:21:45 source:Bomber Jacket
PINKO faded-floral-print satin blazer A tie-dye print takes the focus of this single-breasted blazer from PINKO. Boasting a classic straight cut, it is finished with side welt pockets. Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights yellow/multicolour satin finish all-over floral print faded effect to the print dart detailing fabric-covered buttons notched lapels shoulder pads long sleeves two front jetted pockets Italian rear vents front button fastening curved hem full lining Composition Outer: Viscose Lining: Polyester The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.76 m wearing size 40 Product IDs FARFETCH ID: 22603812 Brand style ID: 102858A1K9HS4

Ludovic de Saint Sernin Fall 2025: Power Subversion

Dear Moon Spaghetti Strap Square Neck Tie Back Corset Dress

VersaceMedusa-embroidered sweaterMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightssky bluevirgin woolknitted constructioncrew neckMedusa Head embroidered motiflong sleevesribbed cuffs and hemunlinedCompositionVirgin Wool, Polyester, Cotton 50%, Acrylic 50%The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsDry Clean OnlyThe washing method is subject to the commercial washing standardWearingThe model is 1.88 m wearing size 50The model is also styled with: Balmain mid-rise straight jeansProduct IDsFARFETCH ID: 24013000Brand style ID: 10160561A11251

Bermuda Shorts

Plein Sport Multilogo sleeveless tank top Highlights black cotton blend all-over logo print sleeveless round neck straight hem Composition Cotton 88%, Polyester 12% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Machine Wash The washing method is subject to the commercial washing standard Wearing The model is 1.88 m wearing size L Product IDs FARFETCH ID: 20183026 Brand style ID: AACCMTK6530STE003N

Ludovic de Saint Sernin’s color of the season was a specific shade of green from the vintage miniature Ferrari car he used to play with as a child. He had Barbies, too, but the designer said as he grows more comfortable with his masculinity, he found joy in doing things as per mainstream social expectations.  “This season, I wanted to show a new offering of clothes, layering, tailoring, textures, and really show what you wear to be showing power while staying true to being sensual and looking hot and powerful,” he said. Think of a dominatrix exerting control over men in high places. De Saint Sernin played with python, and latex – a material he first encountered when designing a one-off couture collection for Jean Paul Gaultier – juxtaposing them with sharp tailoring and statement shearling coats accessorized with thick, lace-up eyelet belts.  “It’s like, you’ve been going to the club all night because you need to release the pressure, but you still have a meeting on Saturday morning. You’re gonna probably go from the club to the meeting, but you’re gonna look fab,” the designer suggested backstage. You May Also Like There was a clear distinction between the male and female offerings. The men’s looks came in classic sartorial shapes, with key items including wool overcoats with big shoulders, striped suits, and lace-up shirts. Even the lace-up bustiers felt masculine. The women’s look were hyper feminine. Cue the evening gowns in sheer Japanese lace or shimmering chainmail, as seen on trans model Alex Consani, who closed the show.  “As I’m aging, I have probably grown into my masculinity more, which is why you used to see me undress the boys more than dress them, and now I’m dressing them more because I’m getting more comfortable with this type of presentation of myself,” he said.  But the designer stressed that the brand’s core message hasn’t changed: “It’s still about playing with each other’s gender and identities and not being ashamed of it.”

Artículo actual:http://25529.dg-jinyuan888.com/kxnyy

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